Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Monday, August 15, 2016

How History is Written

Book Review: The Last Communard by Gavin Bowd

Although I am a fan of history, I must admit that I was not that familiar with the history of the Commune, and had no idea who Adrien Lejeune was.That was part of the reason I ordered this book.
What I got was less of an education in the Commune and the last Communard than a lesson in how history is written. Lejeune, who was at best a bit player in the Commune, was made into a symbol of the Communist Party through the succeeding years. Through the machinations and propaganda of various arms of the Party, he became larger than life. While he whiled away the hours in various institutions in the Soviet Union, intent on maintaining his supply of wine and chocolate, Party factions played upon his notoriety, intent on their own agendas as well. Sometimes the litany of unfamiliar and foreign names and locations become tedious and dry; this reader often felt like he was climbing an enormous shifting sand dune of facts, with no goal in sight. Author Gavin Bowd does manage to pull things together in the end, and brings sense to what is an interesting overview of a small piece of history and how it fits into the context of the larger picture.

Monday, July 25, 2016

Of Love and War and Immigration

Book Review: Their Promised Land by Ian Buruma

Immigration is a hot button topic right now, liable to induce polarized opinions in just about any audience. Their Promised Land steers a middle course, generally avoiding the shores of politics and the shoals and rocks that surround them, favoring the depths of the subtitle My Grandparents in Love and War

But the immigrant status of the family is always there, a bulking shadow just over the horizon, barely hidden in the fog of two world wars and the unsettled years between them. Ethnic families tried to avoid the latent prejudice by Anglicizing their last names. Jews adopted Christianity in an attempt to avoid the 'stigma' of being different. Author Ian Buruma doesn't ignore the elephant in the room, but in his occasional sidelong glances in its direction he makes it impossible to ignore.

That is a good thing. Immigration has ALWAYS been a hot button topic, laden with unacknowledged racism and prejudice. Each successive wave of immigrants in the United States has faced a backlash from those who have arrived before them; seemingly oblivious to the fact that unless you are 100% Native American, we are all immigrants here. Their Promised Land takes place in England in the first half of the twentieth century, but it could just as well be anywhere, at any time.

Despite this, Buruma keeps us focused on the fact that these are just two people, trying to make a life for themselves and raise a family. The universal principle at work here is not that prejudice is always with us, but that people go on in spite of it. That is where our hope lies.

Wednesday, March 5, 2014

Ulysses in Trieste

Book Review: Trieste by Dasa Drndic [translated by Ellen Elias-Bursac]

James Joyce, author of Ulysses, spent about ten years in Trieste in the years leading up to World War I. In Trieste, author Dasa Drndic uses Joyce's stream of consciousness style to convey the chaotic mix of cultures, religion, and politics in Italy's border regions in the years between the wars.

The unrelenting flow of words is not always effective when detailing the history of the characters' families, resulting in a confusing mix of names and dates that can leave the reader bewildered. But when the story moves into the horrific years of the Nazi 'ethnic cleansing', the reader gets caught up in the flow. Life and death, loyalty and betrayal dance in a schizophrenic 'tarantula', and Drndic is unrelenting, the words flaming on the page, and in the reader's mind.

Great fiction should blur the line between reality and imagination. A great deal of non-fiction has already been written about the Holocaust and its associated horrors, in fictionalizing some aspects of her story Drndic has not lost anything; she puts a human face to the horror, and does honor to those who actually lived (and died) as a result of it. There is plenty of history here; what has been fictionalized supports the facts, it does not undermine them.

Trieste is not a book for the faint-hearted, either in style or subject. Although at times I found the interior monologue annoying (especially in the early going), it is devastatingly effective in the last half of the book. Enter if you are brave enough, and if you stay the course you will be changed.

"... in this 'library' of horrors, in this alchemist's kitchen of maniacs, little lives of little people have been foundering already for sixty years; they are waving their deportation I.D.s, their brittle, faded and cracked family photographs, their hastily penned letters, diaries, their birth certificates and marriage licenses, their death certificates, sketches, poems, their coupons for food and clothing, anything that can supplant their cry, they are waving: Here we are, find us."

Saturday, December 7, 2013

A Real Story of a Real Family

Book Review: The Distancers by Lee Sandlin

According to the commercials put out by a certain genealogy website, your family secrets are only a mouse-click away.
If only that were true.

While some public records ARE available online, they are often filled with misspellings, incorrect dates, and other errors. And even if that were not the case, they are still public records. The real family stories, the ones that really matter, are the ones that are not in plain sight.

In The Distancers, Lee Sandlin exposes some of his family's untold and unseen stories and brings his own past to life. Life for an immigrant family in 19th century America was full of challenges - some rose to meet them, others took the path of least resistance. One family member might diligently work at the opportunities that presented themselves, while a sibling might decide to coast on the work of others. In other words, times (and people) then were not much different than today.

Sadly, not everyone's family has made a mark on the history of this country that can be found in history books. The people that built the railroads and the highways and the factories were not the knighted individuals that made the fortunes and whose names are known to all; the people that built this country were (and are) the ones that did the every day business of working and living. What we see in The Distancers are the people that went the distance, and still do, keeping the wheels of progress turning. Every family has left a legacy, if not in the history books, then in those who still bear their name, and their heritage. That is what real families, and real family history are made of.

Wednesday, November 27, 2013

The Gulag, Chinese Style

Book Review: For a Song and a Hundred Songs by Liao Yiwu

This year marks the twenty-fourth anniversary of the Tienanmen Square protests. It seems a very long time ago that the newscasts showed the images of unarmed Chinese students facing armed soldiers, of a solitary man facing down a line of tanks.

In truth, it has been a a very long time - an entire generation has grown up without first-hand knowledge of the events of May and June 1989.

The simple fact that so many people are unaware of or have forgotten these events make a work like For a Song and a Hundred Songs critically important. In the effort to make China (and it's 1.3 billion potential customers) a business partner, the world has turned a blind eye to the political abuses of the recent past, and the present. Liao Yiwu has crafted a work that forces one to look beyond the facade of business as usual, into the lives of the dissidents and political prisoners whose crime was one of ideas.

Much of Hundred Songs is reminiscent of another tale of political prisoners: One Day in the Life of Ivan Denisovich. Like the prisoners in the Soviet labor camps, Chinese dissidents were held without benefit of trial for vaguely defined crimes like 'hooliganism', or of being 'counter-revolutionaries' Just as in the Gulag, political prisoners are held side-by-side with violent criminals and were often victimized by them. Like Shukov in Ivan Denisovich, Liao Yiwu struggles to maintain his sense of individuality in a system whose sole purpose is to erase it. Toward the end of his imprisonment, when a friend questions his indifference, Yiwu replies "I feel like I have no past". Surviving day-to-day crowds out considerations of both the future and the past.

Hundred Songs gives us much to think about, both in terms of our relations with China, and with the freedoms that we take for granted as Americans. In light of recent events in the United States, perhaps this needs to be considered a cautionary tale. As Liao Yiwu says, "true freedom lies in the heart". Whether as Americans or citizens of the world, we forget that at our own peril.

Monday, September 16, 2013

Josephine Marcus Earp - Untold

Book Review: Lady at the O.K. Corral by Ann Kirschner

In her attempt to write a biography of Josephine Marcus Earp, author Ann Kirschner gives us a mix of history, folk tales, and family lore, with a touch of educated guesswork. The result, Lady at the O.K. Corral, ends up equal parts history and historical fiction, with a not altogether satisfying portion of either.

The book is strongest in the Tombstone chapters, where the legendary Wyatt Earp is heavily documented. The wealth of historical information on Wyatt makes the character of Josephine sharper by association, although the factual basis for her is weakest here. To be fair, the documentation of women's role in the Old West is sparse to say the least; they were regarded as little more than bit players on the Western stage.

As Wyatt's role in the story starts to be less important, Lady begins to lag -- supposition and third party accounts do not a biography make. The author frequently remarks how Josephine was closed-mouth about her own story, but the scarcity of information makes the story a little too threadbare. There is a great story here, but it never fully emerges.

In the end, Lady of the O.K. Corral is more of a fictionalized biography, without the cohesiveness of either a straight biography or historical fiction. The genre CAN work; I thought that the fictionalized biography of Irene Nemirovsky, The Mirador: Dreamed Memories of Irene Nemirovsky by Her Daughter, was an exceptional book. Lady seems to want to hide behind the facts rather than build on them, and fails to embrace the intriguing personality of Josephine as a result.

Sunday, August 18, 2013

A Tale of Two Women

Book Review: Eighty Days by Matthew Goodman

The story of not just one, but two historic trips around the world, Eighty Days is much more than a travelogue. In following the two protagonists, Nelly Bly and Elizabeth Bisland, in their race around the globe, Matthew Goodman gives us a close-up view of the challenges facing women at the end of the nineteenth century.

Not just ANY two women either. Nelly Bly was a small town American girl, who fought her way into the position of journalist through hard work and determination. Her room in New York was on an unpaved road far from the newspaper offices in Manhattan. "Her grammar was rough, her punctuation erratic", but she persevered.

Elizabeth Bisland also lived in New York; although her apartment was only a few blocks away from Nelly's room in physical distance, it was miles away in social standing. In addition, she was "highly literary, with refined tastes", with a family background to match.

These two women, dissimilar in so many ways, had one thing in common: they had both managed to find their way into that bastion of masculinity, the newsroom. And by "find their way" we mean they persisted in the face of incredible resistance to the very presence of "the weaker sex" in their chosen profession.

Eighty Days is more than the story of two women cutting a path around the world - it is the story of two women from vastly different backgrounds who, each in their own individual way, together cut a path for generations of women to come.

Thursday, July 4, 2013

Smuggler Nation: How the Bad Boy Made Good

Book Review: Smuggler Nation by Peter Andreas

"America is a smuggler nation", posits Peter Andreas. As a nation we seem to take a perverse pride in our checkered past, starting with flipping the British Empire the proverbial bird by dumping a load of tea into Boston Harbor (yes, I over-simplify). No other country struts the failings and foibles of our Founding Fathers as much as the good 'ol USA. Personally, I think that is a good thing to some degree.

In Smuggler Nation, Peter Andreas gives us a guided tour through the history of the underground economy in the United States, peeking into historical closets that many Americans may not have been aware of. As a book about American history, Smuggler Nation excels. Where it falls, in my opinion, is in establishing the extent that smuggling has helped fuel our "evolution to a pre-eminent superpower".

The exchange of goods and services, whether on the black market or the open market, is exactly that: an exchange. Our imports of Canadian booze, or French condoms, or Mexican workers have been offset by direct payments and indirect costs of one sort or another; in the long run it is a zero-sum game.

At the same time, the exporters of these goods profited (often illegally on their own side) from the artificially high prices commanded by the contraband nature of their product. Why have these countries not been advantaged in the same way -- are we just better black-marketeers?

I don't think so. I believe America has succeeded due to our unique geographical location, our vast human and natural resources, occasionally exceptional leadership, and a fair amount of luck. While it is ironic that the world's pre-eminent nation of smugglers now seeks to stem the tide of the underground economy, smuggling has been a side effect of our success, not it's driving force.

Thursday, October 11, 2012

For Fans of The Three Musketeers

Book Review: The Black Count: Glory, Revolution, Betrayal and the Real Count of Monte Cristo by Tom Reiss

As a student of history, and a fan of the writings of Alexandre Dumas, I had high expectations for The Black Count. I'm happy to report that author Tom Reiss (The Orientalist) did not disappoint.

The latter half of the 18th century was a time of political turmoil, with long-seated governments overthrown, and wide-ranging changes made to the established order. These heroic times bred heroic men; Alex Dumas was just such a man. Physically imposing, a skilled swordsman and horseman, he was the epitome of a man of the age. There was just one problem - although his father was a French aristocrat, his mother was a black slave.

Tom Reiss manages to tie together the real-life character of Alex Dumas and the literary characters of his son's novels, set against the background of the years leading up to and through the French Revolution. Instead of a dry recitation of European history, we are treated to the living and breathing adventures of a truly larger-than-life officer and gentleman. The Count of Monte Cristo and The Three Musketeers may have been fiction, but it is easy the see where Alexandre Dumas took his inspiration - the real life story of his father.

Monday, May 14, 2012

One Person Can Make a Difference

Book Review: His Name Was Raoul Wallenberg by Louise Borden

How do you convey the terror of one of the darkest times in modern history to the young? How do you try to explain the horror of the Holocaust to your children? And how do you show the heroism of those who refuse to let the light of humanity be extinguished?

In His Name was Raoul Wallenberg, author Louise Borden manages to answer those three questions with a text that is both lyrical and profound in its simplicity. Borden shows how the life of Raoul Wallenberg was changed by the time he lived in, and how he changed history in response. Born into a life of privilege, he became a tireless advocate of those who were being ruthlessly victimized simply because of their own birthright. Borden lets us see that as Wallenberg's awareness of what is happening grows, his resolve to take a stand grows as well. History made the man, and the man made history in return.

Adult readers may find the form and content of Borden's work unfamiliar and unfulfilling. Adult readers are not the target audience of this book. It is sent out to the young, and I believe it will squarely hit that mark. It is clear that Ms. Borden knows her subject well, and I do hope that she will grace us with a more detailed full-length adult version of Raoul Wallenberg's story. Even we adults need to be reminded that "one person can make a difference in the world."

Wednesday, March 28, 2012

Required Reading for Would-Be Genealogists

Book Review: The Night Sky: A Journey From Dachau to Denver and Back by Maria Sutton

If one were to believe the television advertisements, tracing your family history is as simple as logging in to a website and clicking on a picture of a leaf. Archives will miraculously open to reveal that your great-grandfather was a private detective who lived next door to Henry Ford and invented the limited-slip differential. Who forgot to mention THAT?

Sadly, as Maria Sutton (and this author) can attest, genealogy is not that simple, even in the digital age. As she details in The Night Sky, Ms. Sutton's journey to find the father she never knew is a more accurate reflection of what a family history researcher actually goes through. The Night Sky is required reading for any would-be genealogist.

The first obstacle facing the new family historian is the reluctance of relatives. Every family has skeletons in the closet - or at least they believe they do. Even if those skeletons have decayed into dust, there are members of your family who will try to divert you from finding out "the truth about Uncle Joe", whose sin was too deep and dark to reveal. They mean well, they just don't want you to embarrass the family in your efforts to "dredge up" the past.

The second hurdle is the inaccuracy and unavailability of records. A tree full of leaves notwithstanding, not everything you see can be taken at face value. The index you are searching online is a transcription of a blurry and possibly misspelled handwritten record. Check and double-check your sources; don't mistake the tree for the leaves.

And finally, as Maria Sutton herself learned, the toughest roadblock to the truth is your own mindset. While you may want to believe your forefather (or mother) was a a local hero, for most of us it simply is not true. Just because they were alive while important events were happening does not mean they were involved in them; it's hard to be objective when it comes to your own ancestry.

The moral of The Night Sky is that no matter what you may have thought of them, and no matter how far from that perception they landed, your ancestors DID play an important part in life -- they made YOU possible. Maria Sutton's journey to find her family may not be the stuff TV commercials are made of, but it was worth the trip.

Wednesday, February 1, 2012

The Pauses Between the Notes

Book Review: The House at Tyneford by Natasha Solomon

"Music isn't just notes; it's also filled with rests or measured silences. We wait during the pauses, listening to the possibility of music."

Shortly before starting on Natasha Solomons' The House at Tyneford, I had come across the Wikipedia article on the Dorset 'ghost village' of Tyneham. After reading the summary of the book, I realized that the connection was tenuous, but I took a chance and ordered The House at Tyneford anyway, promised at least a classic English setting.

The early parts of the story reminded me of The Mirador, Elisabeth Gille's autobiographical novel set in roughly the same time period. The years between the wars only sharpened the issues that had brought about the First World War - the "War to End All Wars" was only a prelude. Those holding onto the remnants of the imperial lifestyle, like the Landaus, were torn apart, literally and figuratively.

Once Elise Landau arrives in England, the story centers on the changes that any immigrant would face - learning a new language, a new culture, and new values. In addition, Elise has been forced to make a huge change in her own class status as well. Ms. Solomons does an excellent job of portraying both her characters frustration and naivete. In doing so she manages to find the middle ground - relaying enough details to allow us to feel the character, yet in turn allowing us to fill in the blanks with our own feelings, to see the possibilities of the character'

While written from the viewpoint of a female character, the story is accessible to male readers as well. Some emotions are universal, even if our reactions to them are personal. Love, loss, fear, courage, and pride are not divided by gender, and the author helps us find the ground common to us all.

Wednesday, September 7, 2011

A World Long Ago and Far Away

Book Review: The End of Sparta by Victor Davis Hanson

I recently observed to a friend that the further we range in time from the present the more fantastic it becomes. Both the distant past and the distant future become speculative and mythologized through the lens of time; voyages into unknown and unseen lands.

The End of Sparta is Victor Davis Hanson's effort to throw back the veil that hides our past, and show us the people that lived behind it. Through his effort we are able to see that not much has changed in human character. In the battle for Sparta we find the same motivations and strivings that we do today: power, money, fame, love, faith, and justice.

Yet at the same time, Hanson shows us that the world was very different as well. It is a land of unfamiliar names, ancient weapons, and mythical creatures. At times I felt as if I was in a fantasy world, journeying not to Sparta but to Mordor, preparing to battle the Dark Lord. I won't belabor a comparison that many would contest; only noting many of the same themes and intricacies of the greater work The Lord of the Rings

Personally, I enjoyed the End of Sparta as a story in the classic vein. Such are the characters that myths are made of; the simple farmer who slays a king, the freed slave who liberates a people, the opposing general whom none can kill. To be honest, it is of a different caliber than most "historical fiction", which are histories written by novelists. This is a novel written by an historian, at once scholarly and inspiring.

Sunday, August 7, 2011

History, Elegy, and Autobiography

Book Review: The Mirador: Dreamed Memories of Irene Nemirovsky by her Daughter by Elisabeth Gille

In The Mirador, Elisabeth Gille, daughter of novelist Irene Nemirovsky, creates a new genre: the autobiographical novel. Mirador (literally translated as "watchtower") allows Gille to look out over the life of her mother through her novels and notes against the background of Europe in the early 20th century.

In the process she enlightens us to a part of history that we (as Americans) have too little exposure; namely the events in Europe leading to the Second World War. Writing in the first person, Gille is able make a personal connection with the life of her mother that she was denied in real life. The historical context of the First World War and the Russian Revolution give the personal aspects of the story a factual tone; the reader must remind himself that with some exceptions the words are not those of Irene herself.

Sadly, we in the United States have a limited view of European history. The Mirador enables us to obtain a glimpse into the turmoil that took place in Russia during the Revolution, and in Europe during and after World War I. The destruction of lives and property during the Great War and the financial toll of war reparations afterwards combined to accentuate political and ethnic tensions in an unprecedented manner.

On a personal note, it gave me insight into the attitudes and beliefs leading to the Holocaust -- I never fully understood why the Jewish people did not flee when the danger seemed so apparent. As any of us would, they believed they had the reasonable expectation of safety; I am sure that Irene was not alone in maintaining "I will not emigrate again." The very people that she depended on for safety turned on her in the end. I cannot fully comprehend their experience, but the scope of my understanding has been widened.

It is a testimony to the writing talent of Elisabeth Gilles that she was able to craft the story of her mother's life in such a moving way. The Mirador serves as an act of reconciliation between mother and daughter, a moving elegy for a talented novelist, and a valuable and timely reminder of the tragedies of war and intolerance.